The line-up with guitar, drums and Hammond organ has long been extremely popular, in jazz as well as in pop and rock. There was the rousing soul-jazz when Jimmy Smith or Jack McDuff let the Hammond organ hiss wildly in the 1960s. There was Larry Young, who fused jazz with rock in the trio Lifetime. There was Emerson, Lake & Palmer, who filled concert halls worldwide with their heavy rock in the 1970s. There was the trio Medeski, Martin & Wood, which has been touring the country for two and a half decades with their wild jam jazz – but with bass guitar instead of guitar. And there is Deadeye with drummer Jonas Burgwinkel, Hammond player Kit Downs and guitarist Reinier Baas. This German-Dutch-British trio positions itself somewhere in the middle of nowhere. The three musicians, for example, echo the Haydays of soul jazz, but suddenly switch to the rustic folklore of Great Britain. Or they play noisy rock, but suddenly focus on some compositional principles of New Music. It is not the individual style categories that are of value, but experimenting with them in order to form your own syntax from individual sentence modules.